{"id":21215,"date":"2020-02-22T14:58:58","date_gmt":"2020-02-22T14:58:58","guid":{"rendered":"http:\/\/cardiffstudentmedia.co.uk\/quench\/?p=21215"},"modified":"2020-03-25T15:05:02","modified_gmt":"2020-03-25T15:05:02","slug":"little-women-of-a-new-generation","status":"publish","type":"post","link":"https:\/\/cardiffstudentmedia.co.uk\/quench\/film-tv\/little-women-of-a-new-generation\/","title":{"rendered":"Little Women of A New Generation?"},"content":{"rendered":"\n<p><em>By Pui Kuan<\/em> <em>Cheah<\/em><\/p>\n\n\n\n<p>Based on the classic novel by Louisa May Alcott, the new adaptation of <em>Little Women<\/em> directed by Greta Gerwig has been applauded by critics and audiences alike. It landed six nominations and one win at the 92<sup>nd<\/sup> Academy Awards for best costume design, amidst a competitive nominee selection. Prior to the movie&#8217;s theatrical release, many were questioning the need for yet another adaptation of Alcott&#8217;s novel, given that plenty onscreen adaptations of it already exist. Fortunately, Gerwig manages to distinguish her film from these and make it her own, and I believe the film has been deserving of the nominations it has received the whole of awards season. <\/p>\n\n\n\n<p>The most\ndistinct aspect of Gerwig&#8217;s adaptation is its non-linear timeline. Instead of\nfollowing the March sisters&#8217; lives chronologically, there is a constant switch\nbetween past and present. This adds emotional and historical background to\nscenes in the present, giving reason to character dialogue or actions. The\ntimelines are differentiated through colour filters, meant to reflect the moods\nassociated with them \u00d4\u00c7\u00f4 a &#8220;golden glow&#8221; for the past, as Gerwig describes it in\nVanity Fair&#8217;s <em>Notes on a Scene<\/em>, and a gloomier tone for the present. We observe\nthis change through characters too, especially Amy who starts off childish and\nbratty, and ends up a sophisticated young woman. This role is executed\nbrilliantly by Florence Pugh, who was recognised with an Oscar nomination. Together\nwith Gerwig&#8217;s screenplay, the movie has led to a common consensus among\naudiences that Amy March is no longer a hated character like in the novel.\nSaoirse Ronan also does marvellous work playing Jo, earning her an Oscar\nnomination too. <\/p>\n\n\n\n<p>Another noticeable\nway <em>Little Women<\/em> alters from its source material is its ending. It is\nimportant to first note that Alcott based the character of Jo on herself, but\nunlike herself, she had to end the book with Jo being married due to the\npressures by her publisher and audiences at the time. For the 2019 film, instead\nof having Jo marry Professor Bhaer, we last see Jo as unmarried. Gerwig has\nstated her intention of writing this ending in an interview with <em>The Oprah\nMagazine<\/em>, mentioning that she &#8220;wanted\nto give Louisa May Alcott an ending she might have liked&#8221;.\nAs can be gathered from other interviews Gerwig has done for this film, this\nstatement is a testament to how passionate she was about this project. She has mentioned\nloving the book since she was young, and this love is present in her treatment\nof this adaptation.<\/p>\n\n\n\n<p>However, <em>Little Women<\/em> would not be complete without\nthe work of costume designer, Jacqueline Durran. Working closely alongside\nGerwig and the ensemble cast, Durran told <em>CNN<\/em> that she aimed to create a\nwardrobe that all the actors would be comfortable in rather than a strict\nVictorian style one would expect. This was to help make their portrayals more\nnatural and their characters be more relatable to the audience, through a more\nsubtle way than speech or behaviour. She also decided that each of the March\nsisters had a colour associated to them, which were weaved into their outfits worn,\nand this took a step further where Marmee&#8217;s outfits would sometimes have all\nfour colours weaved into hers to show how her spirit is present in each of her\nfour daughters. Such detail may not be spotted on first viewing but is a fun\nthing to pick up on subsequent ones.<\/p>\n\n\n\n<p>Gerwig has managed to catapult her way into the Hollywood awards circuit as a director, transitioning from an actor to behind the camera. Her last film <em>Lady Bird<\/em> was her solo directorial debut, which came out in 2017 and was met with critical acclaim. With just 2 successful films being released within 3 years of each other, she has cemented her position as one of the biggest female directors today. Telling stories that people of all ages can relate to, no matter what time period they may take place in, is one of the hallmarks of her films. With her recent adaptation of <em>Little Women<\/em>, she has managed to adapt the story to film for a 21<sup>st<\/sup> century audience to call their own, without losing the essence of the 19<sup>th<\/sup> century novel. I am definitely eager to see her future works as she continues her career in the director&#8217;s chair!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Pui Kuan Cheah Based on the classic novel by Louisa May Alcott, the new adaptation of Little Women directed [&hellip;]<\/p>\n","protected":false},"author":650,"featured_media":21216,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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