{"id":21378,"date":"2020-02-28T15:37:49","date_gmt":"2020-02-28T15:37:49","guid":{"rendered":"http:\/\/cardiffstudentmedia.co.uk\/quench\/?p=21378"},"modified":"2020-02-28T19:43:46","modified_gmt":"2020-02-28T19:43:46","slug":"ghost-stories-theatre-review","status":"publish","type":"post","link":"https:\/\/cardiffstudentmedia.co.uk\/quench\/culture\/ghost-stories-theatre-review\/","title":{"rendered":"Ghost Stories | Theatre Review"},"content":{"rendered":"\n<p><em>By Molly Govus <\/em><\/p>\n\n\n\n<p>\u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0<\/p>\n\n\n\n<p>NO SPOILERS ARE INCLUDED IN THIS REVIEW<\/p>\n\n\n\n<p>Jeremy Dyson and\nAndy Nyman&#8217;s production of \u00d4\u00c7\u00ffGhost Stories&#8217; has been touring around the globe\nsince February 2010, but this in no way means the performance has lost its fear\nfactor. With a running time of 80 minutes and no interval, before I even sat\ndown in my seat I had an overwhelming sense of unease. The play&#8217;s brilliant\nsense of ambiguity is highlighted through their marketing of the performance,\nwith no production photographs available to the public. All I knew before entering\nthe New Theatre was that it had a 15+ age rating and a warning that once\nentering the theatre, you are not allowed to leave again. As much as this may\nsound trivial to some, this combination of performance and real life created a\nblurred boundary between what is real and what is not. The audience are quite\nliterally stuck within and between the anticipatory fears of our own minds that\nProfessor Goodman (played by Joshua Higgott) emphasises at the start of the\nperformance. <\/p>\n\n\n\n<p>Professor\nGoodman&#8217;s narration of the stories that remain most prominent to him within his\nprofession echo the fiction that we all have heard as children, but with a\ncombination of science and recordings, we are transported and transcended into\nthe supernatural realm to an extent that hasn&#8217;t been explored before. The use\nof a podium and microphone brings a false sense of security to the audience.\nThere were many times where I forgot that I was watching a play, with my friend\nconsistently reminding me that \u00d4\u00c7\u00ffthey&#8217;re just actors, Molly&#8217;. <\/p>\n\n\n\n<p>I surprised myself\n(and others after a few jumps) at how scared and on-edge I was throughout the\nplay. It was as though every sense of reason and every smidge of empirical\nknowledge I had had been left at the front door. I felt exposed to my own fears\nand I really was made to feel like the \u00d4\u00c7\u00ffpercipient&#8217; that Professor Goodman\ndescribed. <\/p>\n\n\n\n<p>Now, you may be\nwondering why there is a lack of plot and storyline discussion within this\nreview. To expose too much would be to destroy the sense of the unknown and the\nambiguity that this play thrives on. As a viewer of the performance, it is\nwithin my duty to \u00d4\u00c7\u00ffkeep the secrets of Ghost Stories&#8217; to myself &#8211; a polite and\nconsiderable ask after having clammy hands for 80 minutes. The play was overall\namazingly put together with such precision and intelligence. The intricacy of\nthe plot was unlike anything I had ever seen in any performance. <\/p>\n\n\n\n<p>Trust me when I\nsay that the storyline and plot will stay ticking in your mind forever, and you\nmay even have your own ghost story by the end of it. Sometimes you really do\nhave to see to believe! <\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Molly Govus \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 \u00d4\u00ff\u00e0 NO SPOILERS ARE INCLUDED IN THIS REVIEW Jeremy Dyson and Andy Nyman&#8217;s [&hellip;]<\/p>\n","protected":false},"author":569,"featured_media":21379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[3,3054,5187,259,449,229,4865],"class_list":["post-21378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cardiff","tag-cardiff-student-media","tag-ghost-stories","tag-horror","tag-new-theatre","tag-theatre","tag-theatre-review"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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