{"id":32495,"date":"2022-10-23T23:20:50","date_gmt":"2022-10-23T22:20:50","guid":{"rendered":"https:\/\/cardiffstudentmedia.co.uk\/quench\/?p=32495"},"modified":"2022-10-24T11:42:32","modified_gmt":"2022-10-24T10:42:32","slug":"review-the-feeling-cardiff-students-union-21-10-2022","status":"publish","type":"post","link":"https:\/\/cardiffstudentmedia.co.uk\/quench\/live-reviews\/review-the-feeling-cardiff-students-union-21-10-2022\/","title":{"rendered":"Review: The Feeling @ Cardiff Students’ Union 21\/10\/2022"},"content":{"rendered":"\n

Words and photos by Billy Edwards<\/em><\/p>\n\n\n\n

The audience at the Students’ Union waited with bated breath for The Feeling’s first appearance in Cardiff in some years. This was responded to very well on stage \u00d4\u00c7\u00f4 it began with a special harmony-laden fanfare of Fill My Little World<\/em> rich with atmosphere. It sounded like an off cut from The Beach Boys’ Smile Sessions, a piece of pop genius, alongside lots of enigmatic spotlights. Before too long, the band came on stage, led by frontman Dan Gillespie Sells.<\/p>\n\n\n\n

In a slim black suit, he cut a tall and thin figure, with immaculately white slicked-back hair. Their sound filled Y Plas well, with Dan happy to be playing a student’s union as it ‘strengthened his escaping youthfulness’, he quipped to a sympathetic audience. The Feeling’s debut album – which cemented them as one of the finest pop groups to walk the line of alternative rock and 70s charms in the 2000s \u00d4\u00c7\u00f4 came out sixteen years ago. It has since sold over 1.5 million copies worldwide, and radio figures revealed they were played every five minutes on average on British radio stations in the UK. Though the album still sounds vibrantly fresh, The Feeling have blossomed ever since: having become a summer festival mainstay, composed music for a musical, and created seven albums including their latest Loss. Love. Hope<\/em>. They’re touring during October for this record.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Dan explained how the album was produced in lockdown, telling us of the conditions in which their album was made, with the group jamming away: ‘there was a rule of six, and there’s five of us’. This was rather apparent in their newest songs – for example, There is No Music<\/em>, an impassioned sermon standing up for love against the adversities of modern life and an anthem of how Dan ‘will fight for the thoughtful souls with epic struggles and humble goals’. The newer songs held a more introspective and philosophical outlook, welcome after the somewhat daftness of their earlier work.<\/p>\n\n\n\n

Soon came Fill My Little World<\/em>, which certainly got the crowd in high spirits. They promised all the hits, and this was the biggest of them. They were clearly still very proud of the song: a gleeful staple of daytime radio and noughties playlists which broke into the top ten in 2006 and hasn’t left the public consciousness since. It seemed like Dan’s favourite to sing, swaying and peering over the crowd, whilst Kevin Jeremiah (brother of keyboardist Ciaran) provided a soaring guitar solo. He was regularly handed some cracking guitars, including a Fender Stratocaster and a Gibson Les Paul, and was fantastic on all of them \u00d4\u00c7\u00f4 everything was not only faithful to the originals, but even more skilled and impressive.<\/p>\n\n\n\n

Never be Lonely<\/em> was a highlight for the group’s excellent use of harmony \u00d4\u00c7\u00f4 every member contributes to singing what is a truly lovely song. Here was a key piece of audience interaction, encouraging the left and right side of Y Plas to echo the chorus against each-other. Then, Dan kindly sang happy birthday to an audience member who was following their tour around the country, insisting that he wouldn’t embarrass her by singing ‘she’s turning thirty’ to the chorus. The Feeling appear very close to their audience, and they embrace that with absolute enthusiasm.<\/p>\n\n\n\n

A very entertaining part of the evening was a cover of Video Killed the<\/em> Radio Star<\/em> by The Buggles, which was ‘back in the setlist by popular demand’. Dan remarked how it was so much of an old favourite that it even found itself on a B-side. Throughout the show a spotlight had illuminated keyboardist Ciaran Jeremiah, and here he had a star turn on the \u00d4\u00c7\u00ffoh-a oh-a’ sections. This was particularly effective radiating from his solemn, passionate face: all you could see behind his piano.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

The audience was a good mix of ages and characters. I suspected many were there to hear songs from Everybody’s<\/em> Talking<\/em> About<\/em> Jamie<\/em> \u00d4\u00c7\u00f4 the hit West End show that broke records with a three-year-residency. Dan Gillespie Sells wrote and composed the music for it. It’s since been produced into a film, which Dan joked about: ‘At first it was 20th<\/sup> Century Studios, then Disney, then Amazon got involved \u00d4\u00c7\u00f4 I had no idea who I was working for!’.<\/p>\n\n\n\n

A succinct and crowd-pleasing set was perfectly concluded with my favourite song of theirs \u00d4\u00c7\u00f4 Love It When You<\/em> Call<\/em>. This was particularly rousing \u00d4\u00c7\u00f4 everyone joined in with the extremely catchy ‘Oh, ai-ai-ai, ai-ai\u00d4\u00c7\u00aa’ section and its accompanying chorus, with plenty of roaring guitars and immense high notes.<\/p>\n\n\n\n

Their encore was a defiant delivery of what had made the performance so fun \u00d4\u00c7\u00f4 I Thought It Was Over<\/em> was a cheekily suitable victory lap, which saw Richard jump from a height twirling his bass. The show ended on an excellent choice for another cover. Dan described how the band members all had very different music tastes \u00d4\u00c7\u00f4 particularly evident in the setlist, everything from hard rock to power pop \u00d4\u00c7\u00f4 yet they all agreed upon Queen. Dan admitted he would try his best to ‘continue the tradition of gay men singing about fat-bottomed girls’, though showed an amusing humility in his plea for the audience to sing-along, so it would hide his voice falling apart against Freddie’s range. All in all, seeing The Feeling live was an excellent night-out, due to a very-well-seasoned and likable band playing a host of brilliantly infectious pop hits; a mix of outright classics that still sound great and a selection of terrifically expressive new tunes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Words and photos by Billy Edwards The audience at the Students’ Union waited with bated breath for The Feeling’s first 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