{"id":37397,"date":"2026-01-23T09:16:04","date_gmt":"2026-01-23T09:16:04","guid":{"rendered":"https:\/\/cardiffstudentmedia.co.uk\/quench\/?p=37397"},"modified":"2026-01-23T09:16:05","modified_gmt":"2026-01-23T09:16:05","slug":"hamnet-shakespear-movie-review","status":"publish","type":"post","link":"https:\/\/cardiffstudentmedia.co.uk\/quench\/film-tv\/hamnet-shakespear-movie-review\/","title":{"rendered":"Hamnet: To see, or not to see?"},"content":{"rendered":"\n<p>\u201cTo be, or not to be;\u201d that is the question, indeed, which the eponymous Hamlet asks in his&nbsp; monologue in Act 3, Scene 1 of Shakespeare\u2019s most iconic play. The Prince of Denmark&nbsp; contemplates complex topics as suffering in life and suffering in death, coming to no definitive&nbsp; answer but certainly provoking much thought.&nbsp;<\/p>\n\n\n\n<p>\u201cTo cry, or not to cry;\u201d that is the question that you will be asking yourself while watching the&nbsp; Golden-Globe-winning phenomenon that is <em>Hamnet<\/em>. The answer, going on the&nbsp; audience\u2019s reactions, is much more straightforward: to cry.&nbsp;<\/p>\n\n\n\n<p><em>Hamnet <\/em>follows William Shakespeare (Paul Mescal) and his wife, Anne Hathway, or Agnes&nbsp; (Jessie Buckley), over a span of around 15 years. Film charting their stories from their earliest&nbsp; interactions to their experiences with devastating loss and coping with grief. On a surface level,&nbsp; this narrative might not interest you. Yet, whether you\u2019re a history buff,&nbsp; Shakespeare lover, or have absolutely zero passion for either, I cannot recommend it enough.&nbsp;<\/p>\n\n\n\n<p>Having read Maggie O\u2019Farrell\u2019s book of the same name that the film is adapted from\u2014O\u2019Farrell&nbsp; also co-wrote the film\u2019s screenplay along with director Chlo\u00e9 Zhao &#8211; this film has been one of&nbsp; my most anticipated for a while.Thankfully, it is both faithful to its source and adds its own&nbsp; flair. The novel, which has won the Women\u2019s Prize for Fiction and the&nbsp; Waterstones Book of the Year, has been among my favourites since I read it. Primarily,&nbsp; this is because it is so atypical of what you might expect.&nbsp;<\/p>\n\n\n\n<p>It\u2019s easy to imagine <em>Hamnet <\/em>as a stuffy, pompous period piece (not that I don\u2019t love those).&nbsp; However, both book and film will surprise you. Sorry to those looking for historical accuracy&nbsp; as O\u2019Farrell herself acknowledges that is not the goal of this story. Although, you will surely be&nbsp; impressed by the incredible production and costume design that flawlessly embody late-16<sup>th<\/sup> Century England, from rural villages to London and even a recreation of The Globe. On the&nbsp; contrary, there are many magical realist and even fantastical elements here. Agnes, for&nbsp; example, is characterised as a witch-like figure raised in the forest, granted the ability to read&nbsp; people\u2019s thoughts and see the future through dreams.&nbsp;<\/p>\n\n\n\n<p>What is particularly impressive in the novel is the lyrical, stream-of-consciousness-esque nature of the prose which does so much to develop the characters. In lieu of that, Buckley and&nbsp; Mescal\u2019s performances do wonders to bring these figures to life. Buckley won the Golden&nbsp; Globe for leading actress and Mescal was nominated for supporting actor (which they are set&nbsp; to repeat at the Academy Awards), and these are well-deserved. Their initial romantic,&nbsp; wondrous demeanours devolve into grief-stricken, heartbroken husks, with Buckey in&nbsp; particular ripping audiences&#8217; hearts out with her guttural screams.&nbsp;<\/p>\n\n\n\n<p>These performances, along with the film as a whole, are at their strongest in the final scenes.&nbsp; Centred around the play <em>Hamlet<\/em>\u2014the film\u2019s opening quote asserts Hamnet and Hamlet were&nbsp; interchangeable in Stratford records of the time. O\u2019Farrell suggests a new interpretation of&nbsp; the over the centuries-old play; that it is a response by Shakespeare to personal loss experienced by himself and Agnes. These scenes, which I will not spoil, provide cathartic&nbsp;<\/p>\n\n\n\n<p>release for the tension and tragedy building up throughout the whole film. This is something I would argue&nbsp; is portrayed even better on film, taking up around thirty minutes, compared to the book, which&nbsp; includes only a few pages focused on this section.&nbsp;<\/p>\n\n\n\n<p>Special mention must be given to the wonderful Jacobi Jupe, who portrays the title character.&nbsp; At only 12 years old, in the best child performance since Owen Cooper in <em>Adolescence <\/em>(albeit&nbsp; playing wildly different characters). He manages to go toe-to-toe with the acting heavyweights&nbsp; leading the film and stand his ground. Certainly, his performance being brilliant is essential to&nbsp; ensuring that the film\u2019s emotional weight hits in full force; without his character appearing so&nbsp; loveable, charming and sweet, the film would fall apart. Fortunately, Jupe has the juice! Look&nbsp; out for his brother, Noah, who plays the actor performing as Hamlet.&nbsp;<\/p>\n\n\n\n<p><em>Hamnet <\/em>is set to be nominated at the Academy Awards as one of the ten best films of 2025,&nbsp; and that moniker is well-deserved. To see, or not to see? There is no question at all.<\/p>\n\n\n\n<p><strong><em>Words by Isaak Hewitt<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cTo be, or not to be;\u201d that is the question, indeed, which the eponymous Hamlet asks in his&nbsp; monologue in [&hellip;]<\/p>\n","protected":false},"author":650,"featured_media":37398,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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