{"id":5488,"date":"2014-03-21T19:49:47","date_gmt":"2014-03-21T19:49:47","guid":{"rendered":"http:\/\/cardiffstudentmedia.co.uk\/quench\/?p=5488"},"modified":"2014-03-21T19:49:47","modified_gmt":"2014-03-21T19:49:47","slug":"album-review-angel-olsen-burn-fire-witness","status":"publish","type":"post","link":"https:\/\/cardiffstudentmedia.co.uk\/quench\/music\/album-review-angel-olsen-burn-fire-witness\/","title":{"rendered":"Album Review: Angel Olsen &#8211; &#8216;Burn Your Fire For No Witness&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/cardiffstudentmedia.co.uk\/quench\/wp-content\/uploads\/sites\/3\/2014\/03\/Angel.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-5489 alignleft\" alt=\"jag246.11183\" src=\"https:\/\/cardiffstudentmedia.co.uk\/quench\/wp-content\/uploads\/sites\/3\/2014\/03\/Angel.jpg\" width=\"461\" height=\"461\" srcset=\"https:\/\/cardiffstudentmedia.co.uk\/quench\/wp-content\/uploads\/sites\/3\/2014\/03\/Angel.jpg 658w, https:\/\/cardiffstudentmedia.co.uk\/quench\/wp-content\/uploads\/sites\/3\/2014\/03\/Angel-150x150.jpg 150w, https:\/\/cardiffstudentmedia.co.uk\/quench\/wp-content\/uploads\/sites\/3\/2014\/03\/Angel-300x300.jpg 300w\" sizes=\"(max-width: 461px) 100vw, 461px\" \/><\/a>Olsen officially came on the scene with EP \u00d4\u00c7\u00ffStrange Cacti&#8217;, a not displeasing clash of sparse, eerie echoes and voice oscillating between registers. The touch of folk that crept its way in was fully unleashed in first album \u00d4\u00c7\u00ffHalf Way Home&#8217;, released in 2012. Angel Olsen went from resonance-in-the-rough to crisp vocals over guitar picking; from songs entitled \u00d4\u00c7\u00ffIf It&#8217;s Alive, It Will&#8217; and \u00d4\u00c7\u00ffCreator, Destroyer&#8217; to \u00d4\u00c7\u00ffSafe in the Womb&#8217; and \u00d4\u00c7\u00ffThe Sky Opened Up&#8217;. In short, 2012 was a dire year.<\/p>\n<p>Thankfully, this year&#8217;s \u00d4\u00c7\u00ffBurn Your Fire for No Witness&#8217; opens with \u00d4\u00c7\u00ffUnfucktheworld&#8217;. A superior effort. It&#8217;s minimalistic and not a million miles away from her folky debut, but the touch of synth and self-assertive message \u00d4\u00c7\u00f4 &#8220;<i>I am the only one now<\/i>&#8221; \u00d4\u00c7\u00f4 are the perfect way to bridge the gap from Safe First Album to Better Second One.<\/p>\n<p>\u00d4\u00c7\u00ffForgiven\/Forgotten&#8217;, a youthful song of ignorance and love, uses the addition of Josh Jaeger&#8217;s drums to prime effect. Every element of the track pounds out the lyrics &#8220;I don&#8217;t know anything&#8221;, bringing back the chaotic undertone of Olsen&#8217;s EP that had gone astray in the folk nightmare of 2012.<\/p>\n<p>Middle track \u00d4\u00c7\u00ffStars&#8217; is one of the album&#8217;s highlights. Angel&#8217;s voice disintegrates by the end of the track to become entirely indiscernible, which is entirely appropriate to the accusation, &#8220;I think you like to see me lose my mind&#8221;. In pulling each other apart, content and form come together. \u00d4\u00c7\u00ffStars&#8217; contends with \u00d4\u00c7\u00ffForgiven\/Forgotten&#8217; for the richest composition on the record.<\/p>\n<p>The odd twang sneaks in throughout (you can take a nap through seven-minute drawl \u00d4\u00c7\u00ffWhite Fire&#8217;) but overall \u00d4\u00c7\u00ffBurn Your Fire for No Witness&#8217; just about does justice to the pioneering promise of its title. Olsen experiments with Stewart Bronaugh on bass, distorting her voice at the album&#8217;s strongest moments so that the words become an extension of Bronaugh&#8217;s playing. The record succeeds in maintaining an accessible rock vibe while pushing the boundaries far enough to make Olsen&#8217;s second offering a worthy contribution to music in 2014.<\/p>\n<p>If Angel Olsen continues to evolve at this pace and resists the temptation to folk, she&#8217;ll be firmly on the radar next time around.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Olsen officially came on the scene with EP \u00d4\u00c7\u00ffStrange Cacti&#8217;, a not displeasing clash of sparse, eerie echoes and voice [&hellip;]<\/p>\n","protected":false},"author":285,"featured_media":5489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-5488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Album Review: Angel Olsen - &#039;Burn Your Fire For No Witness&#039; 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