Accidental Death of an Anarchist review: Act One goes Green-White-Red with Fo’s political farce

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by Jamie Bains

Director Raj Chand states in the productionÔÇÖs programme ÔÇÿI wanted to direct something that would impact the audience, perhaps even spark a debate.ÔÇÖ There wasnÔÇÖt many a better choice for both cast and crowd than Dario FoÔÇÖs 1969 political farce ÔÇÿAccidental Death of an AnarchistÔÇÖ.

The show follows a clumsy and corrupt police force in 1960s Italy in their attempts to explain and manipulate the suspicious death of an anarchist railway worker who was held in custody. We meet the humourously named Maniac, a shamelessly and openly insane figure who secretly records the events and misgivings of the hapless police in their criminal activity, transpiring with the destruction of the police station and Maniac asking the audienceÔÇÖs preference with the final events of the chaos in two separate endings, questioning the individual and social implications each conclusion holds.

Clearly, this is not a simple performance to execute. It required diligent conviction within a tense political atmosphere. However, Act One gave a memorable performance which offered a beautiful blend of political satire, social commentary and sharp humour to deliver a fantastic showing.

Aaron DevineÔÇÖs depiction of Maniac was standout ÔÇô a shameless, versatile and flawless performance which provided much of the nightÔÇÖs best laughs, backed up by a brilliant and convincing cast who each provided unforgettable moments of comedy and political satire.

Additional praise goes to the additions to the script ÔÇô references to the low costume and stage budget were welcome and witty inclusions. It could be argued that, given the political background of the production, more real-life references could have been inserted, particularly given the current lecturer strikes within the university and the wider political issues of today.

Though, this is a minor detail. Act OneÔÇÖs production is one to take immense pride from. Offering laughs and cutting social comment, they have triumphantly tackled one of the most complex and challenging shows of the 20th century with effortless skill and conviction.