By Sophie Squire
People can be a little precious when it comes to retelling beloved stories in the form of a new medium, seeing the screen as an evil enemy to the richness that the book can provide. So, if ÔÇÿevil is evil. Lesser, greater, middlingÔǪ makes no differenceÔÇÖ did the Netflix adaptation fill the Legendary Viper Boots it set out to?
The reality is that the screen provides a far larger visual scope to play around with a world. Poland, where Sapkowski, the author of the original books is from, saw the creation of some questionable screen adaptations. The game franchise rose from those ashes in 2007, giving new and loyal fans alike the chance to immerse themselves in the world that Geralt of Rivia inhabits. But, as if the details of the books were communicated down a string between two bean tins, some things got a little skewed. However, the games are now taken as another form of canon in the Witcher universe; they are so widely played that the new Netflix series seems to be compared more commonly to them, even though the series is based on two short story collections in the world that Sapkowski created.
With the
rise of NetflixÔÇÖs Originals, ÔÇÿThe WitcherÔÇÖ is reborn. Released in the
first month of 2020, it has already been received as one of the most
anticipated releases of the year and seems to have comfortably risen to that
role. But maybe only comfortably for pre-existing fans of the franchise: the
showÔÇÖs three timelines that grant each of the three main characters their own
screen time, are barely discernible at the beginning. But fans of ÔÇÿThe
WitcherÔÇÖ games and books will be familiar with the timelines, making the show
seem to exclude new fans. Yennefer of Vengeberg, a powerful sorceress by her
own creation, has the earliest timeline; it is one filled with politics, magic
and world building, something very well done in the show! Ciri of Cintra, a
young orphaned princess, leads the most recent: filled with desperation, fear
and more politics. These two sandwich GeraltÔÇÖs timeline which attempts to
quench the thirst that many fans have for action. The short story collections
that the show is based on shine through in these scenes of the titular
character killing monsters and ÔÇÿhmÔÇÖ-ing his way through the world, accompanied
by his trusty horse Roach and a very ÔÇÿhmÔÇÖ inducing character, Jaskier. Fans of
the game may not be familiar with that name, but Jaskier is the original name
for Dandelion, a bard determined to be friends with Geralt. The dynamic of
their relationship is very well executed in the show, think Donkey and Shrek
walking through a sunflower field and you are part of the way there.
As someone who is passionate about fantasy, I believe that characters provide a
gateway into any fantasy world. In ÔÇÿThe WitcherÔÇÖ, all of the characters
we meet are already familiar with the world, seeing action and conversations
taking place around them as if nothing is new. But this risks the viewer being
left behind if they are not tactfully introduced to the fantastical elements.
It is undeniable that the Netflix adaptation is a mix of staying true to
SapkowskiÔÇÖs books, with lines of GeraltÔÇÖs speech taken directly from them, and
pandering to the fans of the game, with scenes that are visually so close that
you almost feel you have a controller in your hands. This blending of the two
creates a wonderful new layer to the Witcher universe, with fans in both
camps comfortably placated. Hopefully, the second season will do some more work
to explain things for the newer fans!