Written by Rubie Barker

Walking through Bristol city centre from Clifton, sun blazing, sunglasses on, parks buzzing, it felt like the perfect atmosphere for an indie gig. Luckily, that is just where I was heading. Ahead of the official tour for their new album Homesick in November, Sea Girls were in Bristol to play two gigs at the legendary Fleece. Arriving 15 minutes before they were due on stage, the intimate venue was sold out and full to the brim, but did feel like the perfect venue for this string of smaller gigs. Admittedly the crowd was predominantly guys with mullets over 6ft and heading down earlier might have secured us a better view. Lesson learnt.

As the band took to the stage, the atmosphere grew and the crowd were certainly ready to hear music from the new album live for the first time. Kicking off with ÔÇÿSomeoneÔÇÖs Daughter, SomeoneÔÇÖs SonÔÇÖ set the nostalgic tone for this second album perfectly. Henry Camamile, the lead singer, greeted the crowd, saying how much they all loved Bristol, perhaps a tad predictable but still sincere. Moving swiftly on, the band played ÔÇÿFriendsÔÇÖ and the crowd seemed to inch forward a tad more. The song was written by Oli Khan, the bands drummer, calling on us to ÔÇ£grab your friends wherever you can, go f*ck up your plans ÔÇÿCause every second youÔÇÖre not wasting is one youÔÇÖll never get backÔÇØ, a feeling that being at the gig really encapsulated. 

After ÔÇÿParacetamol BluesÔÇÖ, an unconventional love song about belonging and reminiscing, Camamile switched to an acoustic guitar for ÔÇÿCute GuysÔÇÖ and ÔÇÿLonelyÔÇÖ. Before ÔÇÿCute GuysÔÇÖ, they asked the crowd if they knew this one. The band were clearly trying to gauge the reception of their new songs in a live context, especially one that feels so different to what is expected of them, bordering more on emo rock, than indie rock. The long notes and slower tempo showed off the clarity and tone of CamamileÔÇÖs voice that is missed when listening through your headphones.

From here they moved on to one of my favourites, ÔÇÿHometownÔÇÖ, a nostalgic anthem ready for festival season, opening with the lines, ÔÇ£Lemonade, ripped jeans, nothing feels real when youÔÇÖre 17ÔÇØ encapsulating the memories of summer days and new years that we all have of our own hometown. Rory Young, lead guitarist, threw himself into the end of the song with headbanging that showed off both his guitar skills and his hair. For me though, it was the bridge of this song that sticks out, building tension with each riff, documenting the momentous events of adolescence before ending the song with the line ÔÇ£itÔÇÖs just beginningÔÇØ. A hint of looking forward and onwards in an album that looks back. 

Before they moved on, the band paused after a chant of ÔÇ£sea girls, sea girlsÔÇØ from the crowd. ÔÇ£How are you doing Bristol?ÔÇØ Camamile called out, ÔÇ£Do you guys need a break?ÔÇØ to which the crowd unsurprisingly answered ÔÇ£No!ÔÇØ. ÔÇ£Well, we doÔÇØ was CamamileÔÇÖs reply. Admittedly, he did look tired after playing a matinee performance in the afternoon. They have thrown themselves back into performing, after they ended their tour of Europe at the start of April. Perhaps at points they lacked a cohesive element as a band, with Camamile coming across as a solo performer with a band, but it still worked. Their sound remained strong, but their interaction on stage was less noticeable. 

The band slowed down the pace somewhat with ÔÇÿSleeping With YouÔÇÖ , a song about still being in love with someone now out of reach, before playing their latest single from this new album, ÔÇÿDNAÔÇÖ. ÔÇ£I think itÔÇÖs time for an angry song nowÔÇØ, Camamile announced with a renewed sense of energy. ÔÇÿSickÔÇÖ followed, a song that NME criticised as a ÔÇ£drab list of confessions against plucky pop guitarsÔÇØ, but for me captures the sense of confusion and dismay at the state of the world. Listing the things he is sick of, reminded me slightly of Billy JoelÔÇÖs ÔÇÿWe DidnÔÇÖt Start the FireÔÇÖ, and the anger of the lyrics was certainly reflected back by the crowd. Although ÔÇÿIÔÇÖm sick of The BeatlesÔÇÖ might have been a stretch too far for me to sing back with conviction.

Following this run of songs from their new album, they played a song that most of the crowd will have been anticipating; their biggest hit with over 25 million streams on Spotify, ÔÇÿAll I Want To Hear You SayÔÇÖ. It was the only single released in 2018 from their debut album Open Up Your Head, which they didnÔÇÖt release until 2020. After a few mosh pits throughout the show, the crowd proved their dedication to the band, singing back every word to both this and ÔÇÿDamage DoneÔÇÖ after the mandatory false ending to the gig. For me, I would have preferred to hear one of their other big hits, ÔÇÿCall Me OutÔÇÖ or ÔÇÿDo You Really Wanna Know?ÔÇÖ, as the group behind me also exclaimed. While we waited for them to re-emerge, they were debating which of the two songs it would be, settling on ÔÇÿCall Me OutÔÇÖ, their debut single. 

Walking through the crowd and standing on the bar to sing the last song was a unique way to end the night, but expected of Camamile, who seems to have a habit of joining the crowds in their gigs. It both made him seem like a star above us all, but also proving that he was just one of us. That their music is for the fans. They know the struggles of being young in 2022 and living through the past few years of turmoil. 

With this only being the band’s second album, although they have been on the indie scene for a good few years, there are still places for the band to go. After a string of festivals lined up for the summer, their ÔÇÿHometownÔÇÖ tour begins in November 2022, with a performance in Cardiff SU scheduled for November 22. 

November (UK Headline dates) 

Thu 17^th Nottingham, Rock City

Fri 18^th Birmingham, O2 Academy 1

Sat 19^th Glasgow, O2 Academy

Tue 22^nd Cardiff, University Great Hall

Wed 23^rd Southampton, O2 Guildhall

Fri 25^th London, Alexandra Palace

Sat 26^th Manchester, O2 Victoria Warehouse

For more info and tickets click here.