FOR Cardiff – the gift card that supports independent businesses in the Welsh Capital
by Molly Wyatt Come rain or shine, I am a sucker for shopping, window shopping or real shopping. So, when […]
Elvis Costello & The Imposters review: a banging Closing Night to #FoV2018
by Dylan Graham ÔÿàÔÿàÔÿàÔÿàÔÿå This year’s Festival of Voice welcomed numerous wonderful artists from a wide range of countries, genres
Utopia review: Festival of Voice turns imagination into reality
by Andrea Gaini ÔÿàÔÿàÔÿàÔÿàÔÿà I’ve always been fascinated by the idea of a utopia. A magic place where everything is
Rhondda Rips It Up review: a magical commemoration of the suffragettes movement
by Olly Hearn ÔÿàÔÿàÔÿàÔÿàÔÿå The term ÔÇÿFeminism’ gets thrown around a lot these days, and people who identify as a
Double Vision review: an elegant and inclusive show
by Ilona Cabral ÔÿàÔÿàÔÿàÔÿàÔÿå Loosely based on Alfred Hitchock and Ernest Lehman’s unfinished script, ÔÇ£The Blind ManÔÇØ, Double Vision is
Susanne Sundf├©r + Novo Amor review at the Festival of Voice
by Maxwell Modell ÔÿàÔÿàÔÿàÔÿàÔÿå Novo Amor The night opened with Welsh singer-songwriter Novo Amor (ails of Ali Lacey), who skilfully
Interviewing Jonny Costen from the National Theatre Wales production “English”
by Hannah Marie Stait As part of Festival of Voice at the Wales Millenium Centre, The National Theatre Wales are
Gruff Rhys review: #FoV2018 bringing out the voices of Wales
ÔÿàÔÿàÔÿàÔÿàÔÿå by Jessica Heap To start the evening we were treated to H. Hawkline, a Welsh singer-songwriter not dissimilar to
Camille O’Sullivan shines at Festival of Voice with her new show “Cave”
ÔÿàÔÿàÔÿàÔÿàÔÿà by Maxwell Modell There is something uniquely beautiful about the love we have for musicians and their music. Over
Chitty Chitty Bang Bang review at the New Theatre
ÔÿàÔÿàÔÿàÔÿåÔÿå by Sarah Thompson As somebody who recently saw the Millennium centre performance of this show, the New Theatre had
ÔÇÿArt’, the comical canvas of emotion
A play that goes beyond white men arguing over a white painting. ÔÿàÔÿàÔÿàÔÿàÔÿå by Jess Warren Among a crowd of
Review: Healthcare Drama Society, ÔÇÿAnd Then There Were None’ at YMCA Theatre
by Lianne Potts ÔÿàÔÿàÔÿàÔÿàÔÿà Healthcare Drama Society’s first ever production opened to a sold-out theatre last Friday night, and it’s
Closer: Sophisticated production pulls off witty and tragic play
ÔÿàÔÿàÔÿàÔÿàÔÿà by Alice Lintern After watching The Rise and Fall of Little Voice the week before, I had high expectations
REVIEW: Little Voice; Big Success
ÔÿàÔÿàÔÿàÔÿàÔÿà by Molly Wyatt Act One have pulled it out the bag yet again with their incredibly produced show of
Cathy review: visceral, poignant and compelling documentary theatre
ÔÿàÔÿàÔÿàÔÿàÔÿå by Maxwell Modell I remember receiving a flyer for Cathy at the Edinburgh Fringe Festival last year. It was
Shrek review at the Wales Millennium Centre
by Hannah Marie Stait ÔÿàÔÿàÔÿàÔÿàÔÿà Throughout my childhood all the way through to now as I pretend to be an
CA125 review: amusement and emotionality by the Act One’s latest production
by Rachel Nurse ÔÿàÔÿàÔÿàÔÿàÔÿà No words can describe the perfection of Act One’s CA125 performance. Not a single Act One
Accidental Death of an Anarchist review: Act One goes Green-White-Red with Fo’s political farce
ÔÿàÔÿàÔÿàÔÿàÔÿå by Jamie Bains Director Raj Chand states in the production’s programme ÔÇÿI wanted to direct something that would impact
Cannonballista review: “Dirt and Glitter. Lights and Sounds. Grief and Laughter”
ÔÿàÔÿàÔÿàÔÿàÔÿå by┬á┬áRimant─ù Ella Bivainyt─ù On 8th of March, International Women’s Day, the Sherman Theatre hosted the powerful play Cannonballista by
Review: Rent
ÔÿàÔÿàÔÿàÔÿàÔÿå by Gemma Gibson The classic 1993 rock musical Rent was taken on by Act One earlier this week, and