Since appearing at film festivals at the beginning of the year and having been released to U.S theatres over the summer, itÔÇÖs been a long wait for Daniel RadcliffeÔÇÖs flatulent corpse to propel itself to British shores. If youÔÇÖve been following the production of the film at all youÔÇÖll have known about the farting. If not (spoilers!) thereÔÇÖs farting. Continuing his post-Harry Potter reinvention, Radcliffe … Continue reading Review: Swiss Army Man
In Pursuit of Silence is a feature-length documentary from Patrick Shen that┬áaddresses a very necessary topic. It is by no means a piece frustrated at the lack of silence┬áin a modern world full of noise – there is appreciation for the┬áwind rustling through trees, birdsong and even sounds of the city. Rather, it is a┬ámeditation┬áon the ways in which different people seek and experience silence, … Continue reading Review: In Pursuit of Silence
It seems as though the 2010s have been the decade of the movie remake. Revamped versions of classics like Ghostbusters (2016), Point Break (2015) and Carrie (2013) have graced our screens as of late; and newest to join them is Antoine Fuqua’s The Magnificent Seven. Based on the original film by director John Sturges, which in turn was inspired by Akira Kurosawa’s Seven Samurai (1954), … Continue reading Review: The Magnificent Seven
This year, the Iris Prize celebrates their 10th anniversary and the milestone of becoming a BAFTA recognised A list festival. The international LGBTQ+ film festival takes place in Cardiff on the 12 -16th October, and will include feature films, shorts and even live music performances and screening introductions from some of the directors. We’re giving you a preview of some of our top picks; you … Continue reading Preview: Iris Prize 2016
Note: Falling face first into mud is the way into a manÔÇÖs heart. Bridget is back. After 15 years, the third instalment┬áin the┬ábeloved┬áfranchise, Bridget Jones’s Baby, has crawled its way to the big┬áscreen. And who would have thought it would still be as funny? Whilst having┬áa typically muddy music festival weekend with her friend, Jones┬á(Ren├®e Zellweger) finds herself having┬áa one night stand with a handsome … Continue reading Review: Bridget Jones’s Baby
With┬áhis latest┬árelease,┬áThe Neon Demon, Nicolas Winding Refn brings us one of the only worthy films to see during this unremarkable summer at the cinema. The film follows 16 year old Jesse (Elle Fanning) who moves to Los Angeles to begin her career as a model. Her young and fresh-faced beauty is her point of privilege in the industry, greatly desired and fetishised amidst the largely┬ánip-and-tuck┬áscene … Continue reading Review: The Neon Demon
On the phone, Bobby’s relative calls to ask if he’s bored of Hollywood already. Bobby responds, ‘I’m kind of half bored, half fascinated’. That is perhaps how I felt watching Caf├® Society. The tale follows Bobby (Jesse Eisenberg), who unsurprisingly comes from a Jewish family residing in New York City. Wanting more from life than just working for his father, he moves to Hollywood to … Continue reading Review: Caf├® Society
‘You Know His Name‘, the tagline reads. And by now, after five films spanning fourteen years, it’s safe to say that Matt Damon’s dangerous and determined Jason Bourne is a household name. However Jason Bourne is not a movie that relies entirely on bankability, tropes or gratuitous action sequences. With director Paul Greengrass at the helm once again, we follow Bourne’s story into the age … Continue reading Review: Jason Bourne
For me, what was perhaps the most remarkable thing about Finding Dory┬áwas that its story flowed so effortlessly without the need of a villain. Like its previous instalment ÔÇô Finding Nemo ÔÇô the sole focus of the film were the characters and their predicament, which was interesting enough to make you forget the lack of a villain in the first place. Out of all the … Continue reading Review: Finding Dory
Adults would say Roald DahlÔÇÖs books are for children and only children. They believe that the worlds of a telekinetic child, a chocolate factory, talking foxes, giant peaches, and so on, are only substantial for children who have not yet ÔÇô in the adultsÔÇÖ eyes ÔÇô realised that Miss Honeys do not exist and foxes indeed cannot talk. However, for the few grown ups who … Continue reading Review: The BFG
Before you venture into this review of Star Trek Beyond, I must warn you that I am NOT a ÔÇÿTrekkieÔÇÖ. If there was a scale that measured how much of a Trekkie I was, IÔÇÖd probably be sliding at a graceful speed away from ÔÇÿbarely a fanÔÇÖ. To sum up, IÔÇÖm not that fussed on the universe, albeit I still seem to end up in … Continue reading Review: Star Trek Beyond
ÔÇ£Are you a watcher or a player?ÔÇØ is the hook for the new 2016 film, Nerve, starring Emma Roberts and Dave Franco. In this mind-twisting, edge-of-your-seat thriller, a shy high school teen, Vee (Emma Roberts) finds herself playing an online game of truth or dare without the truth. The game has the audience pulled in with what seems like an innocent dare -Vee has to … Continue reading Review: Nerve
Directed by Rawson Marshall Thurber, of Dodgeball fame, Central Intelligence┬áis surprisingly not terrible. The odd-couple film introduces us to┬ápopular and successful jock Calvin┬á(Kevin Hart), and brutally teased and overweight Robbie (Dwayne Johnson) at an end-of-high-school assembly. The year ends well for Calvin, receiving the ‘most likely to succeed award’, but badly for Robbie who is embarrassed in front of all his peers by some bullies, … Continue reading Review: Central Intelligence
Quench editor Beau Beakhouse headed down to London to speak with Richard Linklater, the Oscar nominated director, about his new film Everybody Wants Some!!┬áWatch the video here, or┬áhave a read of the transcript below. Quench: The first thing I wanted to ask is did you have a concrete vision going into the film that you wanted to create or was it in the production, where … Continue reading Interview: Richard Linklater on Everybody Wants Some!!
Quench Video Games editor Tom Morris spends ninety minutes looking through the eyes of a killer cyborg, wondering why he doesn’t get to control him with a joystick. Hardcore Henry is less of a film and more like a LetÔÇÖs Play – that is, a first person playthrough of a hack-and-slash first person shooter game, except without commentary. The main character is ostensibly ÔÇ£you,ÔÇØ the … Continue reading Review: Hardcore Henry
Cardiff Independent Film Festival (CIFF)┬áis a showcase for┬áindependent filmmakers to exhibit both features and shorts. This year’s festival, between the 21-24th April at Chapter Arts Centre, will have a focus on some of the best independent animations from around the world, as well as documentaries, dramas and experimental film. Quench Film editor Sadia Pineda Hameed gives you a preview of just some of the exciting … Continue reading CIFF 2016 Preview
Each month, Quench looks at a different director’s selected filmography. We take a look at Richard Linklater┬áfor MarchÔÇÖs online feature. Born in Houston Texas, Richard Linklater came to filmmaking later than some. He discovered filmmaking as his creative art form around his early twenties, initially writing short stories and plays. LinklaterÔÇÖs early films and many of his larger subsequent releases are often situated in and … Continue reading Spotlight: Richard Linklater
The UK has gone from having only four documentary feature films released in cinemas in 2001 to 89 by 2013. With screenings of feature-length documentaries in mainstream cinemas rising in popularity, Sadia Pineda Hameed asks what attracts us to the dramas of reality. Why is it so exciting, humorous and mildly tragic to watch Hands on a Hard Body, a documentary about an endurance competition … Continue reading Reel Life
Between 17-21 February, Quench editors Beau Beakhouse and Sadia Pineda Hameed went along to the 6th BFI Future Film Festival. It was five amazing days┬ápacked full of workshops, panels and keynote speeches led by influential figures in the film industry today, film screenings and networking opportunities all aimed at 16-25 year old aspiring filmmakers. Here’s┬ásome of the highlights On the Festival Circuit With speakers from … Continue reading BFI Future Film Festival
It remains a sad fact of life in the UK that the only cultures most of us have any notion of are our own and that of the United States, the dominant film-making force of the English-speaking world. One of the biggest Anglo countries, Australia, has remarkably few famous films, except for maybe Crocodile Dundee, Mad Max, andÔǪ their sequels. ThatÔÇÖs about all. As a … Continue reading Review: The Smuggler
