Ballet Cymru’s adaptation of the classic fairy-tale hit Riverfront Theatre, boasted a packed audience and outstanding cast and is a must see for anyone venturing to the Ballet this Christmas.

There was definitely no hint of Disney in the Welsh ballet company’s performance, with Jeanne-Marie Leprince de Beaumont’s French version shining through. The haunting music and absence of dialogue made for interpretation, as some scenes became almost lost in translation; however the stunning costume designs defined each character for clarity and the simplest of hand gestures- depicting Belle’s request of a gift of a rose, were fantastically defined.

The biggest surprise of all was the interpretation of the Beast’s appearance- a twist on the expected furry mane, Ballet Cymru’s beast wore a magnificent headdress similar to that of a ram skull, with a white, ragged one piece for clothing, and impressively endured the entire performance on jumping stilts, adding to the enchanting and more bestial concept. Lydia Arnoux was mesmerising as Belle, with her tiny 5ft stature emphasising her position as the youngest sister. A touch of digital magic for backdrops, with slow transitions from the dark forest to the interior of the Beast’s house via a projector, made the show flow in ways that old-school cardboard backdrops wouldn’t- and the absence of numerous props kept the audience enthralled with the beauty of the dance. Despite the repetitive music and long, elaborate sequences, this performance did not deter audience members as young as five, and on the whole could be regarded as a treat for both young and old.

Ballet Cymru is touring with Beauty and the Beast until 4th December at various locations around the country.