Rodrigo y Gabriela are now on their fifth album. Rodrigo Sanchez and Gabriela QuinteroÔÇÖs instrumental Mexican guitar duo have built up a promising following ever since the release of debut re-Foc in 2002, gaining a cult following after playing on the streets of Dublin, resulting in second album Rodrigo y Gabriela reaching number 1 in IrelandÔÇÖs album chart while it only reached 53 here in the UK. The pair consider ‘9 Dead Alive’┬áto be a more rock rather than Latin-focused album, and according to their Twitter, is quite a conceptual piece, each track dedicated to ÔÇÿindividuals who have passed on, but through their deeds and words still resonate in the 21st centuryÔÇÖ.
Virtuosic yet melodic lead single ÔÇÿThe SoundmakerÔÇÖ opens the album, dedicated to 19th Andalucian guitarist Antonio Torres Juando, designer of the first modern classical guitars. The arpeggiated guitar and simple percussion provide an effective partnership on ÔÇÿToritoÔÇÖ, the only track not dedicated to a person, but to sounds and nature. ÔÇÿSunday NeurosisÔÇÖ, based on Austrian psychologist and Holocaust survivor Viktor Emil Frankl, sees a similarly percussive first half before a calmer second half, showing the dynamicism of the group, before ÔÇÿMisty MosesÔÇÖ, about American Civil War-era African-American ┬áabolitionist Harriet Tubman, shows the full range of guitars exploited. ÔÇÿSomniumÔÇÖ relates to Spanish Baroque writer Juana In├®s de la Cruz, which makes use of effective guitar harmonies. The upbeat ÔÇÿFramÔÇÖ (Norweigan explorer and scientist Fridtjof Nansen) has tempo changes to maintain momentum, while the haunting and unpredictable ÔÇÿMegalopolisÔÇÖ (Chilean poet-diplomat, first female Nobel Prize literature winner) sees the album reach its creative highpoint. ÔÇÿThe Russian MessengerÔÇÖ (Russian human psychology novelist Fyodor Dostoyevsky) proves to be as versatile as anything on the album so far and ÔÇÿLa Salle Des Pas PerdusÔÇÖ (1100ÔÇÖs French queen Eleanor of Aquitaine) which provides a gentler finish to the album.
Rodrigo y GabrielaÔÇÖs fifth album is one that may work well as background music, but at the same time has had a lot of thought put into it and has a lot to be taken from it, testament to the Mexican duoÔÇÖs song writing and performing abilities.