Written and Images by Rhiannon Farr

Celebrating the release of their fourth album Give Me The Future, Bastille made an explosive return to CardiffÔÇÖs Motorpoint Arena for the first time since 2016. Interestingly, the band made extensive use of a large screen onstage which absorbed us into the futuristic concepts of their new release, as well as using it to project lyrics and close-ups of the band members. Their performance began with introducing Future-Inc, a fictional corporation (not unlike the one shown in PixarÔÇÖs Wall-E) which would be a staple in the overall immersion of the set and returned several times throughout the night. Following this, Bastille made their entrance onto the stage with roaring applause from the audience and started their set with ÔÇÿStay Awake?ÔÇÖ, followed by ÔÇÿDistorted Light BeamÔÇÖ: both from their new album. Lead vocalist Dan Smith greeted us in Welsh which was very well received and encouraged us to ÔÇÿuse our beautiful Welsh voicesÔÇÖ to sing along to the next song, ÔÇÿThings We Lost in the FireÔÇÖ. This was a hit with the audience- the first couple of songs were fairly slow-paced so Bastille managed to hype us up with an incredible performance of this song from their Bad Blood album. Continuing with the songs from their debut album, their next performance was ÔÇÿLaura PalmerÔÇÖ, followed by ÔÇÿOblivionÔÇÖ. I was very excited to see ÔÇÿOblivionÔÇÖ live as it is my favourite Bastille song so I was a little disappointed when they changed the songÔÇÖs key, but it was nonetheless a beautiful rendition of the song and it slowed down the set appropriately.

After ÔÇÿThose NightsÔÇÖ and ÔÇÿQuarter Past MidnightÔÇÖ from their 2019 album Doom Days, it was time for another interlude using the onstage screen which prefaced the bulk of their new releases. Dan introduced these songs and informed us that the first one to be performed, ÔÇÿBack to the FutureÔÇÖ, was his personal favourite from the album. The next song, ÔÇÿPlug InÔǪÔÇÖ was rather sobering with its themes of AI control, climate change and the patriarchy, but it fit the tone of the album very well. I wasnÔÇÖt too familiar with ÔÇÿWHAT YOU GONNA DO???ÔÇÖ and ÔÇÿsurvivinÔÇÖÔÇÖ, but these were followed by their hit single ÔÇÿGood GriefÔÇÖ which got the crowd going wild. Dan introduced it with ÔÇ£like every [Bastille] song, itÔÇÖs very depressingÔÇØ which I found hilarious then quickly realised how depressing BastilleÔÇÖs lyrics are in comparison to their tunes and instrumentals. ÔÇÿGood GriefÔÇÖ was one of my favourite performances of the night and I think anyone who attended the gig would agree. There were three men standing next to us wearing matching T-shirts in memory of their friend Nick McHale, and seeing them embrace each other during this song made me consider how impactful BastilleÔÇÖs music really is. 

Bastille then performed the titular track from their new album, ÔÇÿGive Me the FutureÔÇÖ, and followed this with ÔÇÿ4AMÔÇÖ and ÔÇÿNo Bad DaysÔÇÖ, with everyone in the arena waving their phone torches in the air in true slow song fashion. After another interlude, the band returned to some of their more well-known tracks: the first being a rendition of ÔÇÿHappierÔÇÖ, their 2018 collaboration with Marshmello. Having reached #16 in the UK Top 40 Charts, it was unsurprising that the audience absolutely loved this performance, myself included. After ÔÇÿRun Into TroubleÔÇÖ, their collaboration with Alok, Bastille performed another of their charting hits, ÔÇÿOf the NightÔÇÖ, which proved equally as popular as ÔÇÿHappierÔÇÖ. This club classic debuted at #2 in 2013 and it was perfectly placed in the setlist: quickly building up the audienceÔÇÖs energy before the end of their set. These tracks were nostalgic for all the right reasons, and it was brilliant seeing Bastille take us back to the 2010s with these performances.

The set came to a close with ÔÇÿFuture HoldsÔÇÖ, a piece from their new album which reintroduced the futuristic and existentialist themes conveyed throughout the gig. Concluding the main set was arguably their most popular release, ÔÇÿPompeiiÔÇÖ. The crowd was insane during this performance ÔÇô it stood out to me the most and it made an already incredible gig even better. The band paused to let the audience sing along to the bridge and I could tell that Dan and everyone else onstage were soaking up the electric atmosphere. Even nine years after this breakout release, ÔÇÿPompeiiÔÇÖ is still one of BastilleÔÇÖs most beloved songs and the reaction of the crowd proved this. The encore used the visuals of the screen, brilliantly emphasising the talents of their crew, which Dan showed appreciation towards as well as the support acts and the band itself. He encouraged us all to sing along to the two songs of the encore, ÔÇÿHope for the FutureÔÇÖ and ÔÇÿShut Off the LightsÔÇÖ. Bastille brought Native, one of their support acts, onstage for the final song, which was a great way to end the night.

Having been a casual listener of Bastille since their Bad Blood days, I was really looking forward to finally having the opportunity to see them live and they did not disappoint at all. Their set was a perfect blend of new releases and old favourites, appealing to every member of the audience. I canÔÇÖt wait to see what Bastille does next and IÔÇÖm looking forward to their eventual return to Cardiff.