By Craig Strachan

Craig’s rating: 4/5

Pixies tune back into the weirder side of their minds with twelve tracks that favourably embrace the dark and the creepy in their first album since 2016.

 Beneath the Eyrie is the bandÔÇÖs seventh studio album and first with bassist Paz Lenchantin as a fully bonified member after Kim DealÔÇÖs exit from the group in 2013. The album details peculiar tales of girls turning into catfishes, witches and almost anything dark. However, lead singer Francis, in an interview with NME, rather characteristically lamented profoundly that the album has an ÔÇ£overlying conceptÔÇØ or a strong thematic framework. But he did admit (somewhat begrudgingly) that the songs were quite ÔÇ£gothicÔÇØ. Something that you hope the singer would admit to though, is when the gothic parts pop up it is actually a very good and interesting LP. 

In fact, itÔÇÖs the weird that really makes this album. Songs like ÔÇÿCatfish KateÔÇÖ, where this girl is characterised as like any other girl who lives in the mountains, tries to catch a fish for her tea but instead the ÔÇ£catfish grabbed her by the hand and took her to his house insteadÔÇØ. Put simply, itÔÇÖs what happens when you mix Pixies with the Shape of Water. Songs like this are really kooky in a really appealing way. Lead single ÔÇÿOn Graveyard HillÔÇÖ takes the darker and more gothic line to that paradigm. The song has some of the classic Pixies loud and quiet shifts of heavy in and out distorted guitar while manically repeating lines about ÔÇ£witchy power in the witching hourÔÇØ. 

The sound of this album often goes hand in hand with the lyrics. The opening track is a nice menacing slow builder that makes use of a great rolling bassline with drums mirroring this throughout. Bass plays a good part in the track ÔÇÿSt. NazoireÔÇÖ too. ItÔÇÖs almost a rip of the WhoÔÇÖs ÔÇÿBatmanÔÇÖ riff punctuated by Black FrancisÔÇÖ throaty howls. ThereÔÇÖs a hint of The Velvet underground and Nico album in the harmonies in ÔÇÿReady for LoveÔÇÖ that gives it that haunting Lou Reed vibe. ÔÇÿThis is my FateÔÇÖ is my personal favourite purely because it sounds like Pixies have done a cover of ÔÇÿHit the Road JackÔÇÖ if the person singing it had become utterly deranged just before making the song. 

Overall, this a solid effort from the four-piece. Spare a couple of filler tracks that feel like they occupy more time than they actually do (ÔÇÿLos Surfers MuertosÔÇÖ, ÔÇÿDaniel BooneÔÇÖ), it is quite an exciting listen. Beneath the Eyrie may never quite reach the historic heights of their Doolittle period, but it still gives Pixies the merit to still deserve to be around making music now.