Fur Free Gucci
By Maddy Steele Instagram: @maddysteele @quenchfashion In October 2017, this sartorial giant announced their pledge to become fur-free. Gucci’s CEO […]
Six of the Best: Homemade Albums
By Maxwell Modell We live in an age where the boundaries to making your own music are the lowest they
Queer and Now
Poppy Jennings In the wake of another incredible Pride Month, society is left with both positive and negative questions about
REVIEW: Crash Bandicoot N Sane Trilogy
By Mike O’Brien |┬áÔÿàÔÿàÔÿàÔÿàÔ£░ Disclosure: Activision provided Quench with a review copy of Crash Bandicoot N Sane Trilogy for Nintendo
Mario Tennis Aces Review: A strong serve with diminishing returns
By Mike O’Brien |┬áÔÿàÔÿàÔÿàÔÿàÔ£░ I have always admired Nintendo’s philosophy towards multiplayer. Save for a few minor missteps ÔÇô I’m
Corporations and Pride: helping the cause or helping themselves?
Bethany Griffiths Students at Cardiff University, and the creator and editor of Fruitcake Magazine, Jamie Windust, have their say on
Review: War Horse, Millennium Centre
By Abbie Rands ÔÿàÔÿàÔÿàÔÿàÔÿà Arriving at the Millenium Centre, there could be no doubt of the buzz surrounding this play.
Why Project Semicolon is Still Important
by Hannah Marie Stait In 2013 a non-profit project was started, something that once a year would bring people
XXXTentacion’s death reopens the debate on the separation between art and the artist
*Trigger Warning* – this article contains details of abuse, rape, and suicide. By Elly Savva Following a shooting in Miami
Ubisoft at E3 2018 | Ubisoft’s ears are open, and it’s showing
By Alex Daud Briggs | If one thing is clear from Ubisoft’s E3 this year, it’s that they’re listening. It
EA at E3 2018 | EA extends a slightly clumsy but welcome olive branch
By Ashley Sterio | Despite carving out their own little space away from E3 in the name of ÔÇÿEA Play’,
Sony at E3 2018 | Industry-leading talent at a glacial pace
By Mike O’Brien Since the launch of the market-leading PlayStation 4, Sony’s E3 conferences have been storms of momentum, rarely
Elvis Costello & The Imposters review: a banging Closing Night to #FoV2018
by Dylan Graham ÔÿàÔÿàÔÿàÔÿàÔÿå This year’s Festival of Voice welcomed numerous wonderful artists from a wide range of countries, genres
Utopia review: Festival of Voice turns imagination into reality
by Andrea Gaini ÔÿàÔÿàÔÿàÔÿàÔÿà I’ve always been fascinated by the idea of a utopia. A magic place where everything is
Rhondda Rips It Up review: a magical commemoration of the suffragettes movement
by Olly Hearn ÔÿàÔÿàÔÿàÔÿàÔÿå The term ÔÇÿFeminism’ gets thrown around a lot these days, and people who identify as a
Double Vision review: an elegant and inclusive show
by Ilona Cabral ÔÿàÔÿàÔÿàÔÿàÔÿå Loosely based on Alfred Hitchock and Ernest Lehman’s unfinished script, “The Blind Man”, Double Vision is
Susanne Sundf├©r + Novo Amor review at the Festival of Voice
by Maxwell Modell ÔÿàÔÿàÔÿàÔÿàÔÿå Novo Amor The night opened with Welsh singer-songwriter Novo Amor (ails of Ali Lacey), who skilfully
Interviewing Jonny Costen from the National Theatre Wales production “English”
by Hannah Marie Stait As part of Festival of Voice at the Wales Millenium Centre, The National Theatre Wales are
Gruff Rhys review: #FoV2018 bringing out the voices of Wales
ÔÿàÔÿàÔÿàÔÿàÔÿå by Jessica Heap To start the evening we were treated to H. Hawkline, a Welsh singer-songwriter not dissimilar to
Camille O’Sullivan shines at Festival of Voice with her new show “Cave”
ÔÿàÔÿàÔÿàÔÿàÔÿà by Maxwell Modell There is something uniquely beautiful about the love we have for musicians and their music. Over