By Rowan Davies ÔÿàÔÿàÔÿàÔÿàÔÿà Where the f*** am I? The first spoken line from Pablo Larra├¡nÔÇÖs Spencer, and the first sentence I muttered to myself as the credits rolled. Every detail from cinematography to score was meticulously choreographed which, ultimately, crafted a beautifully sombre portrait of the peopleÔÇÖs princess.  As the camera casts a birdÔÇÖs eye shot over an aesthetically depressing Sandringham Estate, DianaÔÇÖs desire … Continue reading Review: Spencer