ÔÇÿArtÔÇÖ, the comical canvas of emotion

A play that goes beyond white men arguing over a white painting. ÔÿàÔÿàÔÿàÔÿàÔÿå by Jess Warren Among a crowd of grey hairs and balding heads, one would assume that ÔÇÿArtÔÇÖ was going to be an un-relatable production. Sat in the audience as the lights dimmed and the play began, it would have been easy to predict the performance as being a sitcom of the bygone … Continue reading ÔÇÿArtÔÇÖ, the comical canvas of emotion

REVIEW: “The Ghost’s touch” at the New Theatre

ÔÿàÔÿàÔÿàÔÿåÔÿå by Hannah Marie Stait Most know Gothic writer Wilkie Collins for his novel The Woman in White, but many theatre lovers flocked to the New Theatre to view the Rumpus Theatre Company with their production of CollinÔÇÖs less known work The GhostÔÇÖs Touch, also known as Mrs Zant and the Ghost. Dealing with the complex relationship between the supernatural, the delusional and the emotional, … Continue reading REVIEW: “The Ghost’s touch” at the New Theatre

REVIEW: “This Evil Thing” at the Sherman Theatre

ÔÿàÔÿàÔÿàÔÿàÔÿå by Andrea Gaini The houselights go off, a man walks in the dark and as he steps up on a crate, a single light illuminates his long body. Michael Mears, playing James Brightmore, reads aloud a letter he is writing to his family, explaining the condition he is forced to live in the cell he has been put in for being a Conscientious Objector. … Continue reading REVIEW: “This Evil Thing” at the Sherman Theatre

Review: The Shawshank Redemption, New Theatre

Originally a novella written by horror-mogul Stephen King, then transformed into the classic cult film over twenty years ago, I pounced on the opportunity to review The Shawshank Redemption production at The New Theatre, Cardiff. While this latest adaption definitely captured the tone of ÔÇÿfear will hold you prisonerÔÇÖ, it struggled to recapitulate the sombre themes explored so elegantly on screen. In a miscarriage of … Continue reading Review: The Shawshank Redemption, New Theatre