For all you English folk whoÔÇÖve crossed the bridge for university, you have a lot to learn about Welsh music. And weÔÇÖre not just talking about Catatonia here. ┬áA very good place to start your diverse musical journey is the Welsh Music Prize. The award is given out every autumn to the best Welsh album that year, which means itÔÇÖs been made in Wales or … Continue reading Welsh Music Prize 2015
Unlike the other pantomimes which are dominantly shown this time of year, Arabian Nights offers something different as it is interesting for both children and adults. The stories are complex but not complicated, the live music make it dynamic to watch (you can see the music being produced) and the art of storytelling is fully explored and utilised. The scene opens with a raucous being … Continue reading Theatre Review: Arabian Nights
The Sherman TheatreÔÇÖs production of Arabian Nights is set to storm the Christmas Stage. Quench Culture got a sneak peak in the rehearsal room to see how preparations are going. The performance of Arabian Nights strikes the audience in its difference. This exotic tale of love, mystery and the joy of spoken word originated from folk tale to be translated into English published novel in … Continue reading Backstage: Arabian Nights, Sherman Theatre
Sherman CymruÔÇÖs first production with Rachel OÔÇÖRiordan at the helm presents a rough and edgy adaptation of a Shakespearean classic. This October saw the opening of Sherman Cymru’s production of Romeo and Juliet; Rachel OÔÇÖRiordanÔÇÖs first as Artistic Director. The concept of ‘street Shakespeare’ is not new, as many adaptations (including Baz Luhrmann’s well-loved film) have used an urban setting to portray the story of … Continue reading Review: Romeo and Juliet
A few weeks ago I was lucky enough to be invited to watch the rehearsals for Sherman CymruÔÇÖs upcoming performance of Romeo and Juliet. A select few young critics and reviewers were invited to view the rehearsal process and even we had the opportunity chat with director Rachel OÔÇÖRiordan afterwards. After arriving and exchanging a few introductions, we sat down to watch the cast rehearse … Continue reading An Afternoon at Sherman Cymru
For such a colourfully titled show, Canoe TheatreÔÇÖs Blue/Orange is set in a blandly sterile consultation room, illuminated by fluorescent lights. The audience is placed in the round ÔÇô except itÔÇÖs not round, but quadrilateral, perhaps reflecting the rigidly technocratic themes of the story. The technocracy in this case is the British healthcare system, and its inherent problems in trying to cater for a large … Continue reading Review: Blue/Orange, Sherman Cymru
Reviewed by Amy Pay If you look up “scary theatre” on a search engine, youÔÇÖll see that The Woman In Black is widely held as the most frightening show.┬á HeadlongÔÇÖs adaptation of 1984, though, is by far one of the most disturbing pieces of theatre created during our lifetime The success of the play is largely down to OrwellÔÇÖs inventive dystopian novel on which it … Continue reading Review: 1984, Sherman Cymru
Reviewed by Amy Endacott Boing!, devised by companies Travelling Light and Champloo Dance, is a piece of theatre which invited you to relive the excitement and anxieties of one of the most treasured childhood memories: Christmas Eve. The forty-minute piece spanned the tense twelve hours before Christmas morning and showed us all the ways two brothers try to pass the time. Performed on a simple … Continue reading Review: Boing!, Sherman Cymru
Caroline Hodges reviews Sexual Perversity in Chicago, David Mamet’s controversial play produced by Living Pictures Productions. Continue reading “Review: Sexual Perversity in Chicago”
Jess Rayner┬ágot a chance to ┬áspeak to Living Pictures Founder Robert Bowman in the lead up to their latest production, Sexual Perversity in Chicago,┬ácoming to Sherman Cymru from┬áFebruary 6th. Continue reading “Interview with Living Pictures Founder, Robert Bowman”
