Pi├▒ata preview review: Sam Lloyd prepares for the big launch

by Becca Moody 8th December 2017, The Little Man Coffee Company ÔÿàÔÿàÔÿàÔÿàÔÿå Sam Lloyd is a new name to my ears. The 24-year-old from Newport has been performing stand up since he was in his teens, but it feels as if this is the start of something bigger as he starts to put together the beginnings of his next Edinburgh show, Pi├▒ata. He performs the … Continue reading Pi├▒ata preview review: Sam Lloyd prepares for the big launch

The Alternativity review: Flossy and Boo explore Christmas at The Other Room

by Becca Moody ÔÿàÔÿàÔÿàÔÿåÔÿå 7th December 2017, The Other Room Ever wondered how our good old tradition of Christmas might look to someone who isnÔÇÖt familiar with planet Earth? Flossy and Boo (played by Anja Conti and Laura Jeffs) are ÔÇÿnot from around hereÔÇÖ, and in light of their lack of knowledge of Christmas, the pair has devised a play, The Alternativity,┬áall about their research … Continue reading The Alternativity review: Flossy and Boo explore Christmas at The Other Room

Mirror, Mirror review: The Act One panto takes over Pulse, again!

by Andrea Gaini 6th December 2017, Pulse ÔÿàÔÿàÔÿàÔÿåÔÿå Cardiff UniversityÔÇÖs drama society, Act One, has been building over the years a tradition of putting on a pantomime around Christmas time. This yearÔÇÖs panto is a snappy and quirky reinterpretation of Snow WhiteÔÇÖs fairy tale: Mirror, Mirror, for the second time in a row taking place in the magical venue which is Pulse. Directed and written … Continue reading Mirror, Mirror review: The Act One panto takes over Pulse, again!

The Wind of Willows review: ‘visually impressive and seasonably moralistic’

by Ilona Cabral ÔÿàÔÿàÔÿàÔÿàÔÿå 5th December 2017, Sherman Theatre Step into the Sherman Theatre and enter a magical realm of fun, adventure and a touch of craziness.┬á The ShermanÔÇÖs latest production ÔÇ£Wind in the WillowsÔÇØ is a feel-good seasonal treat which appeals to first time viewers, as well as those who have a special place for GrahameÔÇÖs classic novel. Where others have failed, director Lee … Continue reading The Wind of Willows review: ‘visually impressive and seasonably moralistic’

Miss Saigon review – Love at all costs

by Andrea Gaini ÔÿàÔÿàÔÿàÔÿàÔÿå 5th December 2017, Wales Millennium Centre The Vietnam War, also known as ÔÇ£the biggest mistake the U.S. has ever madeÔÇØ, represented the fight against the spread of communism in the East and the promotion of Western democracy. Such a morally rightful objective instigates to forget the outrageous number of people who died in the mud, fighting for one side or the … Continue reading Miss Saigon review – Love at all costs

REVIEW: “Second Star to the Right” at the Wales Millennium Centre

by Rachel Nurse ÔÿàÔÿàÔÿàÔÿàÔÿà The outstanding production of the Second Star to the Right was magical and uplifting.┬áThe sets made by the production team and acting from all the cast really made the audience engross into the fantasy action retake of Peter Pan. Jon Dafydd-Kidd, Director, quoted that, ÔÇ£Odyssey and Neverland have many similarities. They are a place of joy, limitless imagination and celebrate play.ÔÇØ … Continue reading REVIEW: “Second Star to the Right” at the Wales Millennium Centre

REVIEW: “Tiger Bay: The Musical” at the Wales Millennium Centre

ÔÿàÔÿàÔÿàÔÿåÔÿå by Andrea Gaini Musical theatre is a very difficult and challenging form of art. Not only for the triple-thread actors, but, in particular, for the authors. Shows on a blonde girl going to Harvard Law can make a huge success, and then musicals about morally and historically important topics may well fail miserably┬á to meet the audiencesÔÇÖ expectations. Tiger Bay stands right in the … Continue reading REVIEW: “Tiger Bay: The Musical” at the Wales Millennium Centre

REVIEW: “Legally Blonde – The Musical” at the New Theatre

by Andrea Gaini I must have seen Legally Blonde ÔÇô The Musical at least one hundred times now, but I can never get tired of it. The beautiful story of Elle Woods that moves all the way from California to Boston (and gets into Harvard Law!), to follow the man she loves, has conquered my heart when I saw the fabulous Laura Bell Bundy rocking … Continue reading REVIEW: “Legally Blonde – The Musical” at the New Theatre

REVIEW: “West Side Story” at the New Theatre

ÔÿàÔÿàÔÿàÔÿåÔÿå by Olly Hearn Freedom – an obtainable right or just a bedtime story? Can we choose our own destiny, or must we simply accept what we are given by fate and circumstance? This is one of many questions posed by Shakespeare in Romeo and Juliet, the play on which Lenard Bernstein based ÔÇÿWest Side StoryÔÇÖ. Abandoning the attitudes and conduct of their family in … Continue reading REVIEW: “West Side Story” at the New Theatre

REVIEW: “Death and the Maiden” at The Other Room

ÔÿàÔÿàÔÿàÔÿåÔÿå by Maxwell Modell Director Abdul ShayekÔÇÖs production of Death and the Maiden is a good if unexceptional adaptation of electrifying source material. Throughout the show it is always clear that the director and actors are accomplished in their craft, however, it always felt as if something was missing. It is an adaption of Ariel DorfmanÔÇÖs Oliver award-winning play, set in the house of the … Continue reading REVIEW: “Death and the Maiden” at The Other Room

REVIEW: A Night At The Musicals

ÔÿàÔÿàÔÿàÔÿàÔÿå by Hannah Stait This Sunday, musical lovers flocked to the well known and much loved St. DavidÔÇÖs Hall to see some of the stages most loved performers sing some of the most well-known songs from an array of musicals. Settling into the gorgeous theatre, we were welcomed to the show by the amazing David Mahoney of Only Men Aloud who did a fabulous job … Continue reading REVIEW: A Night At The Musicals

REVIEW: Abandoman – “Life + Rhymes” at Clwb Ifor Bach

ÔÿàÔÿàÔÿàÔÿàÔÿå by Becca Moody Irish stand-up comedian and improv heavyweight Rob Broderick has been touring the UK with AbandomanÔÇÖs latest show, Life + Rhymes, this autumn. Abandoman are a hip-hop improv act, best known for performing impulsive songs based on audience suggestions. But if youÔÇÖre immediately thinking that this might not be for you (if youÔÇÖre a person who tends to avoid the front row … Continue reading REVIEW: Abandoman – “Life + Rhymes” at Clwb Ifor Bach

REVIEW: “Bin Laden: The one man show” at the Sherman Theatre

ÔÿàÔÿàÔÿàÔÿàÔÿà by Gareth Miles Axenderrie Everybody remembers where they were? That day, sixteen years ago, when television screens around the world showed rolling live footage of the Manhattan skyline. A plume of smoke bellowed out of one of the World Trade Centres. Then an airplane struck the other. Then one fell. The other followed. New York no longer looked the same. We remember it vividly. … Continue reading REVIEW: “Bin Laden: The one man show” at the Sherman Theatre

Review: Corbyn Corbyn HeÔÇÖs Our Man, Can He Save Us? Jezz He Can!

ÔÿàÔÿàÔÿàÔÿàÔÿå by Lauren Daly The Corbyn craze is only getting crazier! It’s Corbyn but as you’ve never seen him before, in true superhero style in ÔÇÿthe Corbyn comic bookÔÇÖ. Granted he’s not your typical superhero; heÔÇÖs got a bit of a dad bod, he makes jam in his spare time and I wouldn’t really like to think of him wearing his pants over his trousers … Continue reading Review: Corbyn Corbyn HeÔÇÖs Our Man, Can He Save Us? Jezz He Can!

REVIEW: Of Mice and Men

ÔÿàÔÿàÔÿàÔÿàÔÿå by Bethan Linnane On Wednesday 18th October an odd yet refreshing new take on the classic tale Of Mice and Men was performed. First impressions of the performance area were odd, with a black curtain and three walls comprising the small room it definitely felt snug ÔÇô even the seating layout was strange, with many audience members sat facing one another or with only … Continue reading REVIEW: Of Mice and Men

REVIEW: The Cherry Orchard

ÔÿàÔÿàÔÿàÔÿåÔÿå by Molly Wyatt ÔÇ£Perhaps man has a hundred senses, and when he dies only the five senses that we know perish with him, and the other ninety-five remain alive.ÔÇØ ItÔÇÖs the early 80s, just before ThatcherÔÇÖs upsurge in power and a family are confronted with the prospect of cutting down their cherished cherry orchard as a solution to financial uncertainty. Set in Pembrokeshire, the … Continue reading REVIEW: The Cherry Orchard

S┼Án Festival presents the Welsh Music Mixer!

If youÔÇÖve ever wondered how bands like the Arctic Monkeys or our very own Los Campesinos! make it from local stages to being big time superstars then CLEAR YOUR DIARIES because S┼Án Festival have just announced the Welsh Music Mixer. Set to take place at Tiny Rebel ┬áon Friday the 20th of October, the mixer is a day created to accompany S┼Án Festival (taking place … Continue reading S┼Án Festival presents the Welsh Music Mixer!

REVIEW: “My Name is Rachel Corrie” at The Other Room

ÔÿàÔÿàÔÿàÔÿåÔÿå by Seema Boksh Performed by Shannon Keogh at The Other Room this October, she gave a moving yet liberal performance on stage. Reflecting upon the late Rachel Corrie as a peaceful protester in Gaza on January 2003. The show started off inside a dark room, Keogh as Rachel Corrie sleeping on her couch with clothes, books, shoes, everywhere and sand on the floor. Yes, … Continue reading REVIEW: “My Name is Rachel Corrie” at The Other Room

REVIEW: “Welcome to Night Vale”

ÔÿàÔÿàÔÿàÔÿàÔÿå by Lianne Potts As a long-time listener to ongoing podcast series ÔÇÿWelcome to Night ValeÔÇÖ, it has been an ambition of mine to see one of their live shows for myself for years now, and IÔÇÖm happy to say that the performance they gave on Monday night did not disappoint. ÔÇÿWelcome To Night ValeÔÇÖ is a twice-monthly podcast created by Joseph Fink and Jeffrey … Continue reading REVIEW: “Welcome to Night Vale”

REVIEW: “The Ghost’s touch” at the New Theatre

ÔÿàÔÿàÔÿàÔÿåÔÿå by Hannah Marie Stait Most know Gothic writer Wilkie Collins for his novel The Woman in White, but many theatre lovers flocked to the New Theatre to view the Rumpus Theatre Company with their production of CollinÔÇÖs less known work The GhostÔÇÖs Touch, also known as Mrs Zant and the Ghost. Dealing with the complex relationship between the supernatural, the delusional and the emotional, … Continue reading REVIEW: “The Ghost’s touch” at the New Theatre