Acis and Galatea review: an ethusiastic and cheerful cast pulls off a difficult opera
ÔÿàÔÿàÔÿàÔÿåÔÿå by Vittoria Zerbini This year, the Cardiff University Operatic Society (CUOS) has decided to stage Acis and Galatea by […]
“Acis and Galatea”: Cardiff University Operatic Society’s take on the English classic pastoral opera
by Vittoria Zerbini The Cardiff University Operatic Society has, ever since its emergence, staged many concerts. A few examples are
Sunset Boulevard review: soaring melodies and exquisite acting
ÔÿàÔÿàÔÿàÔÿàÔÿà by Esther Morris As an avid musical theatre fan, it is not an easy thing for me to admit
CREATIVE CONTEST: “Very Swish” by Bethan Rose Jenkins
Our Creative Contest was very popular and brought to our eyes some great pieces of literature; here is another one
Don Giovanni review: an entertaining and delightful production
by Andrea Gaini ÔÿàÔÿàÔÿàÔÿàÔÿà A delightful opera season could not have been ended in a better way by the Welsh
CREATIVE CONTEST: “Split Ends” by Elizabeth Beckett
While we wait for issue 167 to come out and reveal the winner of Quench’s Creative Contest, here is a
CREATIVE CONTEST: “Birds of a feather” by Megan Carro-Le May
Here is the first participant in Quench’s Short Story Contest; a story presenting colourful and imaginative details. Enjoy! Birds of
The Barber of Seville review: Swansea City Opera successfully attempt a hard revival
ÔÿàÔÿàÔÿàÔÿåÔÿå by Andrea Gaini Rossini’s The Barber of Seville is one of the wittiest and most entertaining operas in history.
Posh review: Act One amplifies Wade’s social message
ÔÿàÔÿàÔÿàÔÿàÔÿà by Manjeevan Kaur Act One’s energetic performance and relentlessly sharp acting in the play is a definite must see.
A conversation between David Hurn & Martin Parr at the Welsh National Museum
by Rowan Lees Brought together through a shared passion for taking pictures and collecting them, gurus of the photography world
Hijinx Theatre brings diversity to Lesotho with unique Able to Act project
by Sofia Brizio Hijinx is a professional theatre company based in Cardiff, that works mainly with people who have learning
The Importance of Being Earnest review: Act One brings back Wilde’s most famous work
ÔÿàÔÿàÔÿàÔÿàÔÿà by Rachel Nurse I’ve never seen a play performed by such young actors with so much talent. No one
A Number review at The Other Room
ÔÿàÔÿàÔÿåÔÿåÔÿå by Mel Lynch Described in the programme as a ÔÇÿfearless and affecting dissection of the relationship between father and
The Sound of Music review: must-see musical hits the New Theatre
ÔÿàÔÿàÔÿàÔÿàÔÿà by Rachel Nurse The Sound of Music at the New Theatre, didn’t fail to the please the audience! The
Terra Firma at the Sherman Theatre review
ÔÿàÔÿàÔÿàÔÿåÔÿå by Abbie Rands Terra Firma, a performance in three parts, is like nothing else I have ever watched in
Tosca review – a fair revival to Puccini’s masterpiece
ÔÿàÔÿàÔÿàÔÿåÔÿå by Andrea Gaini Wales Millennium Centre, 09/02/2018 Pictures by: Richard Huber Smith After Madam Butterfly and La Boh├¿me, the
Flashdance review: living the 80’s at the New Theatre
ÔÿàÔÿàÔÿàÔÿàÔÿå by Hannah Marie Stait 06/02/2018, New Theatre If you have a love for 80’s pop and having a good
La Forza del Destino review: a beautiful and inspiring production
ÔÿàÔÿàÔÿàÔÿàÔÿå by Andrea Gaini Wales Millennium Centre, 02/02/2018 What is destiny? Is there a way to make things go right?
Gallowglass review: a play that fails to offer the promised thrills
ÔÿàÔÿåÔÿåÔÿåÔÿå by Maxwell Modell New Theatre, 30/01/2018 Gallowglass is the premiere stage adaptation of Ruth Rendell’s (written as Barbara Vine)
Interviewing Cardiff street artist Pluzbrut
by Lauren Daly What was it like growing up doing graffiti? I remember growing up seeing these huge and really